JP|EN
Re-Color
ARFLEX ReStore(TOKYO, April 2025)
Current Exhibition
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April 22nd (Tue) - May 11th (Sun)
11:00 -19:00
Closed on irregular days
2F, Futakotamagawa Tsutaya Denryoku, 1-14-1 Tamagawa, Setagaya-ku, Tokyo 158-0094, Japan
tel.03-5717-9222
︎ARFLEX website
The color of a small flower blooming by the roadside can put you in a positive mood, and that color of the ocean you saw long ago remains unfading and shimmers in your memory. Colors remind us of the precious things that exist in our mundane everyday lives.
That a single color can richly stimulate our imagination, and conversely, that a single image can arise from countless colors in combination may serve as proof that we are capable of accepting various differences and make connection beyond our preconceptions.
Moreover, it's because colors coexist with harmony and contradiction that I feel they also contain hints to explore our own invisible essence.
That rejection and acceptance are equally at odds and resonate with each other, and that no matter how many times we paint, we never arrive at a correct answer or an end gives me the sense that we are rather being challenged to demonstrate our resolve and how we intend to approach the diverse potentials that colors hold.
Mitsumasa KADOTA (March 2025)

April 22nd (Tue) - May 11th (Sun)
11:00 -19:00
Closed on irregular days
2F, Futakotamagawa Tsutaya Denryoku, 1-14-1 Tamagawa, Setagaya-ku, Tokyo 158-0094, Japan
tel.03-5717-9222
︎ARFLEX website
The color of a small flower blooming by the roadside can put you in a positive mood, and that color of the ocean you saw long ago remains unfading and shimmers in your memory. Colors remind us of the precious things that exist in our mundane everyday lives.
That a single color can richly stimulate our imagination, and conversely, that a single image can arise from countless colors in combination may serve as proof that we are capable of accepting various differences and make connection beyond our preconceptions.
Moreover, it's because colors coexist with harmony and contradiction that I feel they also contain hints to explore our own invisible essence.
That rejection and acceptance are equally at odds and resonate with each other, and that no matter how many times we paint, we never arrive at a correct answer or an end gives me the sense that we are rather being challenged to demonstrate our resolve and how we intend to approach the diverse potentials that colors hold.
Mitsumasa KADOTA (March 2025)









2025 Acrylic and Carborundum on cotton
730×608mm
Private Collection

symphony 1
2025 Acrylic and Carborundum on cotton
534×411mm

symphony 2
2025 Acrylic and Carborundum on cotton
534×411mm

symphony 3
2025 Acrylic and Carborundum on cotton
534×414mm

symphony 4
2025 Acrylic and Carborundum on cotton
535×412mm

symphony 5
2025 Acrylic and Carborundum on cotton
535×411mm

symphony 6
2025 Acrylic and Carborundum on cotton
535×412mm

symphony 7
2025 Acrylic and Carborundum on cotton
534×411mm

symphony 8
2025 Acrylic and Carborundum on cotton
536×412mm

symphony 9
2025 Acrylic and Carborundum on cotton
535×412mm

harmony
2025 Acrylic and Carborundum on cotton
1005×805mm

2025 Acrylic and Carborundum on cotton
910×730mm

2025 Acrylic and Carborundum on cotton
910×730mm

2024 - 2025 Acrylic and Carborundum on Cotton with frame 823×823mm (鉾楯 1~30 / 115×100mm each)

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鉾楯 34(HOKO/TATE 34) 2024 Acrylic and Carborundum on Cotton 115×100mm |

camphor 2024 Acrylic and Carborundum on cotton 1943×1620mm |

2024 Acrylic and Carborundum on cotton 223×223mm
Private Collection

光線 (KOUSEN)
2024 Acrylic and Carborundum on cotton 643×535mm

2022 Acrylic on Cotton 1305×636mm

2021 Acrylic and Carborundum on cotton 730×608mm
2020 Acrylic and Carborundum on cotton 654×531mm

2019 Acrylic on cotton
412×243mm

2019 Acrylic on cotton
459×275mm

2017 Acrylic and Carborundum on cotton 1076×307mm

2007 Acrylic and Carborundum on cotton 342×243mm

Utopia 2007 Acrylic on cotton 339×244 mm |